THE BLOOD OF THE RED ROOSTER
drama
Milos Latinovic
Co-production of the National Theater in Nis and the National Theater in Pristina with a temporary base in Gracanica
ABOUT THE AUTHOR
Miloš Latinović was born in 1963 in Kikinda. He graduated from the Faculty of Political Science in Belgrade.
He is the author of 20 books – novels, stories, dramas and essays. He has written ten plays, two of which, Payador or Crnjanski and Pannonian Carousel, were performed at the National Theatre in Kikinda. For the novel One Hundred Days of Rain, he received the Vital Award, and for the book The Executioner in Paradise, the Book of the Year Award of the Vojvodina Writers Association.
He was the general manager of the National Theatre in Kikinda and currently holds the position of general manager of the Bitef Theatre in Belgrade.
The drama Blood of the Red Rooster will be performed in Serbia for the first time.
DIRECTOR’S BIOGRAPHY
Jovana Tomić was born in Belgrade in 1990. She obtained her bachelor’s and master’s degrees from the Faculty of Dramatic Arts in Belgrade, Department of Theatre and Radio Directing, in the class of Alisa Stojanović.
She directed the plays Mr. Biedermann and the Fire Raisers (Atelier 212), Cabaret Nušić (Zoran Radmilović Theatre, Zaječar), Lolita (Madlenianum), Barefoot in the Park (Subotica National Theatre), If Twice the Weather Vane Turns / Waiting for the Future (Paolo Grassi, Milan), Exodus (Theatermacher), Hilarious Darkness (Atelier 212), Every Time Like the First (Kruševac Theatre), Lysistrata (National Theatre Subotica), Nathan the Wise (Yugoslav Drama Theatre), and Meadow Full of Darkness (National Theatre in Belgrade).
She won the first Radio 2 Belgrade Award at the Neda Depolo Radio Drama Competition.
A WORD FROM THE DIRECTOR
The play Blood of the Red Rooster is inspired by Márquez’s works. It is characterized by magical realism in its narrative style, which is very inspiring for the stage setting, the visual character of the play and the interpretation of the characters.
On the other hand, the thematic framework is determined by the psychological thriller genre, in which we follow the story of the protagonist Laura, her coming to terms with a dark past, and the conflict between love and duty. This raises the question of what is right and what justice means in an individual’s life during turbulent political times.
The stylized stage movement creates an intimate world of the main character. Through her eyes, the viewer experiences the struggle to persevere in the fight for personal integrity in a corrupt environment, where everyone conceals the sins of the past that led them to profit or simply allowed them to survive.
In the intimate chamber atmosphere, cramped space and the double flow of time dictated by the fragmentary dramaturgy of the textual template, we wanted to tell the story of little people, antiheroes and characters we meet every day on the street, who, in dangerous political circumstances, fight for lofty goals.
When is this performance playing?
You can find all upcoming dates on the Repertoire page.



