GEORGE DANDIN
drama
Jean-Baptiste Poquelin Moliere
In the comedy George Dandin, Molière explores the theme of social climbers, turning the play into a brilliant critique of fashion-consciousness, hypocrisy, and the unhealthy obsession with entering “high society.” George Dandin, a wealthy country landowner, attempts to move closer to the aristocracy and obtain a noble title by marrying a noblewoman who despises and deceives him. However, his vanity, stupidity, and greed inevitably lead him into the mud, and, humiliated and defeated, he realizes that money cannot buy the most valuable thing of all – love.
Molière, a keen observer of all the nuances of human nature and its flaws, confirms his relevance even today through the refreshing laughter that runs throughout his comedies. In an age when people, caught in the constant pursuit of money, forget true human values and what essentially makes life beautiful, his work urges the audience to reflect on themselves and the world around them.
DIRECTOR’S BIOGRAPHY
Dragoslav Savić – Safa
An actor at the National Theatre in Niš, he has worked professionally in theatre for 30 years. He is also the author and director of several television programmes that were successfully broadcast on Niš television stations. He has directed numerous theatre productions.
He is the recipient of three awards at the “Joakim Vujić” National Professional Theatres of Serbia Festival.
He has performed more than one hundred roles in theatres throughout Serbia.
DIRECTOR’S NOTE
The comedy George Dandin is a serious creative challenge both for the acting ensemble and for the theatre as a whole, as it requires a high degree of professionalism when engaging with the principles of Molière’s comedy.
Molière, a unique philosopher among the greatest figures in the history of world theatre, was closely connected with the people. Yet, through the invigorating laughter that runs through his comedies, he encourages the audience to reflect and question themselves and the world around them.
In George Dandin, Molière explores the theme of social climbers, making the play a brilliant critique of fashion-consciousness and hypocrisy. George Dandin, a wealthy country landowner, attempts to move closer to the aristocracy and obtain a noble title by marrying a noblewoman who despises and deceives him. In a world to which he does not belong, surrounded by hypocrisy, lies, blackmail, and insults, he suffers complete defeat through humiliation, moral degradation, and the loss of dignity, realizing that money cannot buy everything – neither a title nor a family, and least of all a sacred marital union and the love within it. Who, then, is master of whom? Man of money, or…
That damnably funny human nature.
Is it enough simply to stop and reflect?
In memory of my teacher, Asparuh Paunov,
Dragoslav Savić
When is this performance playing?
You can find all upcoming dates on the Repertoire page.





