Skip to content

BALLOON

drama

Mate Matišić

ABOUT THE AUTHOR

The versatile artist Mate Matišić (1965) is the author of theatre plays, film scripts, film and theatre music, and a multi-instrumentalist who plays jazz and passionately collects and restores old instruments.

He graduated from the Faculty of Law, but never worked in the profession. He was employed as a dramaturg at Jadran Film, and since 1998 has been editor of the Drama Programme of Croatian Radio and an associate professor at the Academy of Dramatic Art, where he heads the Dramaturgy Department. He is known for his socially engaged plays dealing with themes from recent Croatian history. His most significant plays include Life with Uncle, When the Dead Sing, Fine Dead Girls, Nobody’s Son, The Priest’s Children, Sons Die First, The Fourth Sister, What Is a Man Without a Moustache?, People of Wax, and My Sad Monsters. Some of them have also been adapted into films. He has received numerous awards for his plays and music, as well as five Golden Arenas at the Pula Film Festival (three for music and two for Best Screenplay).

BIOGRAPHY OF THE DIRECTOR

Nevena Dimitrijević was born in Niš in 2001. She graduated in theatre directing from the Faculty of Dramatic Arts in Belgrade, in the class of Professor Dušan Petrović, with the production Greta at the National Theatre in Niš. Her productions Sex, Lies and Wild Geese, Just Without Stains, and the children’s play Six and a Half Worst Pick-Up Attempts Since the Beginning of the World are currently being performed at the Vuk Theatre in Belgrade.

Balloon is the production with which she will complete her master’s degree.

DIRECTOR’S NOTE

It is healing to believe that theatre has the power to confront us with reality, which is often painful. Only when confrontation takes place can change occur. The importance of realization and change is equal to the importance of faith itself, because it is what sets things in motion. Theatre would not exist if actors and audiences did not believe in the reality they create on stage. Yet, a firm belief in illusion leads nowhere. The protagonist of this play will come to understand this as well. It is merely a path toward an easier confrontation with the truth.

When is this performance playing?

You can find all upcoming dates on the Repertoire page.